Secondly, to set up Premiere Pro to work in 32-bit float image processing, you need to open sequence settings and check the “Maximum bit depth” checkbox. You can customize it any way you want by dragging, resizing panels and so on. If you go to the Window - Workspace, there is the default Color workspace. When you’re working with color, you probably want to set up your workspace differently than when you’re assembling a rough cut. You can use this knowledge both in Premiere and After Effects-and most of it can likely be useful for any video editor, regardless of the platform. In this article and YouTube video, I'll tell you everything you need to know about the Lumetri Color effect. Video editors working on a tight budget have to color correct and color grade the footage on their own.
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